History
is a phenomenon that cuts across all the human disciplines and activities.
Everything that appears today has a history i.e. it has a specific period that
is started and the way that it has transformed over the ages to what we see
today. History in art is even a more interesting concept as arts involve the
creative depiction of concepts. Therefore, arts creatively depict human
history. Creativity means that real happenings in human existence are depicted
in artistic and interesting ways. History is important in the determination of
the origin of a nation while art is crucial in the development of the nation.
Art is also a source of a nation/ people’s history through rock carvings and
paintings that can point to many years back (Gougen, 12). The paper will
investigates the way that history has been handled by Brecht Bertolt and
Margaret Atwood in the selected poems.
The
most basic definition of art is that it is any skillful human beings
construction. People that develop arts are known as artists (Gougen, 7). Such
people have continually pushed the boundaries of any definition of art to the
extent that any attempted definition of the concept can be challenged and will
raise criticism issues. For example the ‘found art’ challenges the role of the
artist as the constructor of art. In 1917 Duchamp’s urinal submission to the
New York Exhibition of the Society of Independent Artists led to huge
controversy that led to its ban from the show by the society’s board of
directors. The Fountain urinal had a
pleasingly smooth form that follows its function in a most logical way. It was
the function of the object that seems to have offended the bourgeois
sensibilities of the board that the form itself, or the lightened role of the
artist. On the other hand, the environmental art also strains the definition of
art’s boundaries by placing art outside the museum, in a more natural
environment. Such includes the wrapped buildings by Christos and other works by
Robert Smithson (Gougen, 7). Conceptual art challenges the materiality of art
by using physical forms that in their own sense may be found to be boring such
as the hand-lettered poster boards. Such are used to suggest a concept or to
re-conceptualize an already existing phenomenon. There are other traditions
such as body art and performance art that assign new roles to the artist and
also challenges current ideas about the boundaries among various arts such as
between theatre and visual art or between music, literature and theatre. Social
contexts play a crucial role in determining what is or is not art. In the
current world also, anything can be presented as an art object (Gougen, 8).
Arts have numerous purposes depending on their types. Ceremonial art is used in
celebrations to provide entertainment to those present. On the other hand,
functional art is used to induce some actions in the audience. It is a tool for
making people to act in a certain way. Persuasive art such as advertisement
appeals to people so that they subscribe to some service or product instead of
the other available options. It reaches to the emotions, feelings, and the mood
of the audience. Narrative arts primary gives an account of a certain event/
story that is presented to the audience for various purposes such as educative
and entertainment (Ledrick).
Storytelling
is the art of using language, sounds, gestures, and physical movements to
reveal the elements of a narrative while provoking the imaginations of the
audience so that they can participate in the story (Miller, 1). It is an
ancient art form of human expression that portrays one’s creativity. Storytelling
involves the two-way interaction between a storyteller and an audience of any
size. The listeners of a story actively participates in the narration and they
are important in determine the way that the story goes. They can give gestures,
clapping, silence, facial expressions, and other reactions that help the
narrator to assess the effectiveness of the delivery. The interactive nature of
storytelling creates the immediacy and the effects that it has on the
participants and the relationship that emanates from the activity. Storytelling
is a way of sharing one’s experiences with others. Through stories, people
share wisdoms, beliefs, and values that help to explain they things are, the
reason they are as they are, and the role of the various occupants of the
environment that we live in. Stories links the past, present and the future and
thus helps to build knowledge about the world and the activities taking place
(Miller, 2).
Brecht
Bertolt in his poem ‘A Worker Reads History” aimed to present a
social-political theme on the roles of the workers in the political, economic,
and social activities in a society. The workers include the builders, the
laborers, and masons that have labored tirelessly to build various buildings,
structures, walls and other structures, and even the soldiers that actively
fought in the various wars over the years but their leaders took all the
credit. The reputations for the various achievements were always given to the
leaders such the kings that commanded them leaving out the millions of ordinary
men and women, who did sweat, shed blood and strove for the cause. Brecht was
of the view that the approach of history taken by the most of the accounts has
been unfair. The approach gives credit to those that gave the instructions in
comfort, supervised and even threatened those that actually labored. There is
the needed of a true record of human advancement and achievements so as to
recognize those that put the most effort. He challenged the conventional
histories that attributes the great achievements to heroic figures and ignores
the numerous laborers that facilitated the success. Brecht built his theme
through a series of questions such as Who
built the Thebes of the seven gates? In the books you will find the names of
kings. Did the kings haul up the lumps of rock?
In
Margaret Atwood’s “True Stories,’ the purpose was to examine the reality of
storytelling. According to Atwood, during the narration of stories, truth is
lost somewhere along the way. In the poem, the poet seeks to trace the “truth”
to determine where it was lost. The narrator seeks to answer the question of
“what happened?” The narrator claims that a true story is not possible to tell
because as the action unfolds, truth is lost as a result of the bending and
reshaping of the events depending on who is telling them for what purpose. True
stories are thus unreliable. There are various comparisons of truth and lies.
Most of the comparisons are made in metaphors for example in lines 9-12 where
the truth (true story) is compared to a black tangle of branches. Also, in
lines 22-25 the narrator uses various comparisons such as a mess of colours,
jumbled clothing among the other stories. The used figures of speech add a
depth to the theme of truth by indicating the muddled nature of truths amongst
the rest of the world. There is also extensive use of symbolism. For example
there is the reference to the ocean and beach that are symbolic of the ebb and
flow of stories. The force of the world (ocean) washes away the truth
(ebb/waves). As a beach is constantly altered by the ocean, the truth is also
constantly altered by the story tellers.
The poem “True Stories”
was included in a collection of literary works that were her way of supporting
the movement against oppression and control. The aim was to make the reader
consider the control they have over the story of their lives and the way that
people try to bend details to suit their goals. The altering of the story
occurs when it does not make everyone happy and thus they try to change it
(Twonames15).
Adaptation of the
communicative needs and expectations of the target audience
In
“A Worker Reads History” by Brecht, he has largely used satire as a reflection
of the way that the workers are handled by their leaders. They do all the hard
work but credit to those who do none of the toiling. Brecht presents the kings
and the leader satirically to water down their involvement and mention in
history. The move was expected as he is clearly against the kings taking credit
where none is due. He asks, “Was it the kings who hauled the craggy blocks of
stone?” (Brecht). The poet also extensively uses the rhetoric style to paint
the picture of the magnificent great developments to ever exist. Such were
masterpieces that show the highest of the human capabilities. The description
of the structures also helps to emphasize on the investment that the laborers
made to see the development go up. Such include when the poet says, “Imperial
Rome Is full of arcs of triumph. Who reared them up? (Brecht). The poem has
also largely incorporated the use of rhetoric questions and repetition that
helps to trigger a stream of questions in the reader’s mind so that they can
determine if they have been giving credit where it is due. Brecht utilizes
artistic methods to present a crucial topic that needs to be addressed for
fairness to be delivered.
Atwood’s
goal in the “True Stories” as in her other works was to show that language can
enable or hinder human being’s search for the truth. She argues that truth
transcends language or even image. Thus, truth is indescribable and therefore
cannot be understood unless by reading between the lines (Sumo Nova-editorial).
She says:
The
true story lies among the other true stories, a mess of colors, like jumbled
clothing thrown off or away, … like butcher’s discards. (Atwood,
58)
The
truth is found in what we have disregarded as useless or too complex.
There
is a reflection of the human being’s needs of a concrete source of knowledge,
language and identity through her inability to dispense with them at all.
Atwood appears to be unable to dispense with the idea of trustworthy knowledge
or her works would progress beyond the mysterious and be unbearably frustrating
to the readers. She is not able to dispense with language since that is the
same that is contained in her narratives. She also cannot dispense with the
coherent self as her works also relies on characters. Atwood uses less irony,
emotional detachment and more precise vocabulary and a move towards a
multiplicity of voices and corresponding changes in tone towards compassion and
elegy. Atwood explores the role of language in the creation, definition, and
transformation of personal worlds. Thus, she addresses the role of poetry in
modern life (Thorpe).
Both
poets tries to influence the society against an act that they feel is not
right. Brecht is of the argument that the convention histories have been giving
credit where none deserves by praising those whose input in human achievements
was the least and less costly. Thus, the poet challenges people through
numerous rhetoric questions and repetitive statements to analyze their lives to
determine whether they have been fair in their attribution to success of the
various participants in a project. He summarizes:
‘So many
particulars
So many
questions.’
The summary indicates
that apart from the few mentioned cases of misplaced recognition and
appreciation, the same happens on a daily basis as people do not credit where
it is due.
The
two literary works written in the assignment were written for educational purposes.
Brecht sought to challenge the conventional histories and the way that they
tell historical events. His aim was to bring to the attention of his readers,
the injustice that has all along been done against the laborers that have
toiled and sacrificed themselves for the society to be what it is today.
However, they never even received a mere act of recognition for their hard work
as all the praises went to their ‘heroic’ leaders who did nothing than oversee
the whole process.
On
the other hand, Atwood sought to show the way that truth is lost in the process
of telling of an account/ narration. She identified the reason that stories are
changed in the course of it being told. She argues that the reason stories get
altered is because they do not favor all those that tells it. As a result,
people adapt it to their situation so that they can benefit from it. Atwood
wrote it in free verse with no distinguishable form. The poem is characterized
by a brief length and striking content. There is also no meter or rhyme. The
lack of such poetic constraints gives the poem a conversation feel so that it
seems like it is a real dialogue making it genuine and able to influence the
reader.
Works Cited
Atwood,
Margaret. True Stories. Toronto,
Canada. Oxford University Press. 1981
Brecht,
Bertolt. A worker Reads History. 1936. Retrieved from http://wonderingminstrels.blogspot.co.ke/2003/12/worker-reads-history-bertolt-brecht.html
Gougen,
Joseph. What is Art? Journal of
Conciousness Studies, 7 (8-9): 7-15. 2000. Retrieved from http://www.imprint.co.uk/pdf/Introduction.pdf
Ledrick,
Melvin. 5 Purposes of Art. Prezi.com. 2013. Retrieved from https://prezi.com/cookl2er03jn/5-purposes-of-art/
Miller,
Eric. Theories of Story and Story Telling. Philadelphia. University of Pennsylvania.
2011. Retrieved from http://www.storytellingandvideoconferencing.com/67.pdf
Sumo
Nova (editorial). Comparing the poetry of Adriene Rich and Margaret Atwood.
Sumonova.com. 2006. Retrieved from http://sumonova.com/comparing-the-poetry-of-adrienne-rich-and-margaret-atwood/
Thorpe,
Rachel. Life without certainty: Margaret
Atwood’s ambiguous worlds. Jubilee-centre.org. 2012. Retrieved from http://www.jubilee-centre.org/life-without-certainty-margaret-atwoods-ambiguous-worlds/
Twonames15.
Explication of True Stories by: Margaret Atwood. Twonames15.worpress.com. 2013.
Retrieved from https://twonames15.wordpress.com/2013/11/10/explication-of-true-stories-by-margaret-atwood/
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